Thanks, Taokua! You gave some great suggestions that I’m going to try. I appreciate it.
[quote=“taokua, post:31, topic:1454”] Its neat to read of discoveries leading to a sense of more becoming possible: just to add to this, my sense has been that working with an external prop strongly doesn’t develop the same skill (long term)- but it is a valuable step on the way. (this is my bias, not to say it is a diversion, just to step onto free flow when possible)…
ie I might propose two other steps and try the 'point' (sharpie or pencil lead/pointer... or 'better to not be caught':) an edge, like if you have a box/cube corner you can arrange in your eyeline-view; sort of look at and yet past it simul..
see the wall behind and the corner- like an edge (say top-right) of monitor)look just to the right and a bit higher than.. so in the air, but near enough- to allow an indication of depth.
Anyways- just a suggestion there, but that as the first step, then second step one can use the two type of vision combination (like the floating finger-pt, not sure if anyone else heard of the visual-illusion as a kid, have tips of your two fingers near enough each other and work on the distance, and then either:
Look just Behind (farfocus: resulting in the doublevision overlapping.. creates a more solid third pt, in between the two "fuzzy" fingers per your vision not focused upon)
or
Look just Forward (nearfocus: same as above, but as look behind is focusing farther away, this is focusing nearer than the 'fingers" -this is like the “pull your vision back” (as nearfocus) but not pull it back (eyes try to focus by reflex action, thus it seems to fight: see and focus attention upon a nearer pt, by seeing the “hotdog” affect of the 2 overlapping fingers…
if you can get that visual-affect, you can look for that… aligning the fingers at the right distance from your eyes, and apart side to side, and in a line parallel to your eyes (ie left and right equally as high from ground,
You can Steer when your eyes focus and either gaze-past <or> slightly cross.. but again don't try and make that happen- see the affect, and let your senses adjust to perceive it. < Steer as in you can tip your head very slightly to L or R, and move fingers slightly-slowly distance between so as to get that overlap affect... the Key is Eye Dominance: both eyes need to be Active... you will see one image (one side) clearer and the other faces, one eye is being "ignored" and relying on one, vs both simul>
(in the same way that look at this ComputerScreen, and raise your two fingertips up inbetween your gaze: eyes and computer= see past, look at the very top of this ComputerScreen and bring your eyes-nose really close to it and reach your fingers a few inches behind/deeper/farther away than...
The idea is to not use an object to focus (as then you are blocking SEE-ing in that space, which opens that place in your Mind (with a focus there, there is a tension in the Mind, vs if See something unseen in the space, in space, the Mind relaxes there thus opening)
---a trick to catch this is make a loop-ring with pointer finger and thumb and have it circle something (so you can see through the circle, like a telescope or gun-sight) and then close one eye and look, and the change to you look through the eye you just closed... likely one eye will see it, the other wont.
-practice/try seeing "with" the other eye, and switching back and forth (it trains your system a bit like Handedness, or the way you interlock fingers of both hands.. do the way with the "other thumb" on top, and then your comfortable way, feel awkward and also CNS readjusting...
also when "stand up" which foot is primary, vs the other foot, vs both equally... the same concept... work with each of these and it is tiring (so I'd ease into)
(there is work with these embedded in to some systems unlocking capacities, let alone just to activate say vision of Beyond by equal activating eyes, vs all on one side)
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I hope that makes sense, seems is much easier to explain with some illustration, but just a quick description-post. If do this (the key of SEE what you Know you can sense, but it isn’t aligned, and Allow your system to tune itself… as it attunes and adjusts its perception… this relates to Other aspects also)… and eventually use the idea I mention above, of SEEing what is beneath/underlying the symbol (not impose that, DisCover)
So using an object in space as first step, then two objects and focal (infront and behind- alt, temptation is to do one) as second, and third step is attempting to get this same affect in space (again not by manipulating the eyes, but focusing the attention on something not seen… and your system adjusts itself… thus knowing what/where you are going to SEE something, without being clear what it will look like, and your system attunes itself.
Rather than doing them as CanDo Next, ready to move on, more like skill devel try step one, then try a bit of step two, some more one, then try step three (even if it isn’t clear), try step two… with much rest and moments of and your system will adapt and “try different things”
anyway- the way I was taught not only this, but other coord skills and Energetic circulations.
I hope this does seem as long as it does to me, although in even an article this would be a paragraph or so, and many such posts would hardly be a chapter, but I recognize that in a forum post like this is it a bit unwieldy. It may all be unclear, but if most of it is clear (and it seems of value) then perhaps I can clear up a part- luck[/quote]