:) -A thought I had about this, I wonder how EA received these in terms of "modality" ..ie if he Heard them spoken ~sound, or even thought the sound aspect it seems they would be in Phonetic.
< < later Edit- Thx EA for chiming in about this, more info on these aspects. Now I know, re the above question :) > >
-While this phrase and others (KoF, EE and such) often use diff letters, K C ck, etc. And spelling at time not as clear. So then I thought I wonder if he Saw them in Written form
(thus like the Grand Invocation of the Pact.. was both the "alien-written-chars"and the "how it is spoken" seen in text form? either as picture in his mind, or "they" wrote it- etc. ?
espec as the "alien-written-chars" (some think could be archaic Aramaic, yet may just be visually similar.. regardless- it seems to be 15 unique chars- or perhaps 14 if that ' is paired with another)..
and since Alash.. and T sound is repeated 3 times, the 3 clusters should be repetitive if phoenetic (even if say Ogham.. Al and Ash were chars.. then T and Ad or Odd.. which would be 4 chars.. still duplicated in the others?)
So any way- more wondering what else that reveals rather than the previous comment some have made about “why were they written phonetic”/“how is it pronounced”… if I was to try and write out a strange sounding-I’d automatically sound-spell. So the fact it doesn’t seem to be, makes me wonder-
Thus 2 things… if it was received as “spelling” then the visual aspects (shape of the chars- both those chars written in the Circle, as well as the Roman letter spelling) have a greater importance than the sound. And perhaps the writing of the 2 versions is more impacting than the saying of?
(like medieval magic systems where the key is having a “book” and reading aloud from it what you’ve written in it- not as it is notes reminding you what to say, but the see-say is the magic… having read aloud, and written into the Book becomes magically enfused. -lasts longer in time, and references a musician (not sure about other instruments, but piano and I believe those in an Orchestra, even if one knows a piece fwd and back, still reads the music as they play- to make it each time anew… idea of in eyes and join with “knowing the melody” to emerge via the fingers and result sound)
Anyway- I don’t know how the visual shape aspects might be addressed in the course (I haven’t viewed/purchased it yet), the aspects of mind-mood etc affect of looking at different shapes (beyond yantric to letters… we go beyond see A B C to know their meaning and sound… but A= triangle with bottom raised (not that the analysis is signif, but how gazing at triggers in mind a state… like Sigil or Seal Opening…
but is there a saturation level of too many (ie a page with a symbol- like a sigil, can be "opened" but if the page is filled- even a page of "text" does our Brain/System notice each indiv char in our visual-field or just "read it"
-and yet the Chapter in QaVs that gets impactful (were that Seal is shown EA opened found in J. Smith's ~thought to be Egyptian, that Seal has all kinds of little sigils and symbols.. how much is received all at once by the eye (and could a Page of Text, or a paragraph, have the similar type of Gateway info if "Opened & Then Called Near" .. vs just read.. (hiding in plain sight in Grimoire "books")
<< Edit: added later, after posting above, I ended up stumbling on this video… relates to a layer “Augmented Reality” but instead of using a Computer to “Translate” and present mixed with Video on a display-screen… to have CNS-brain (vs computer) and into your perception (vs on a “TV/Computer-screen”)… actually related to some John Dee “higher-dim” viz/medieval-renaissance esoterics as a way to overlay or Augment sensory experience…
“May-Ah-Tuh _ So-Val-Ah _ Vaskallah…”